Nick Pedgrift has  worked as an entertainment lawyer for many years representing a diverse range of clients from Adelaide Hall the first black American blues singer to make her home in London and Bunny Wailer the last survivor of Bob Marleys group the Jamaican who wrote “Catcha Fire” and Wayne County the first Trans-sexual punk rocker. He took on representation of U2 after being invited to their second ever London gig and Phil Collins, whose manager he met in a Notting Hill cocktail bar and  next to whom he was on the front page of the Sun coming out of church after his wedding.  He was the lawyer for much of the Chicago House scene artists Joe Smooth and  Frankie Knuckles and he took on  film work with Alan Parker and "The Commitments" and "Human Traffic" with the teenage Danny Dyer.  

Nick has much experience in musicals including Riverdance with Michael Flatley, and Barnum with Michael Crawford. He has worked on many book deals and catalogues including "At the Birth", the definitive account of David Bowie and TV work revolving round the celebrity culture of the 21stC representing Katie Price aka Jordan and Peter Andre and cast members of TOWIE.

He represents a number of film, book and music publishing properties including the James Bond original storyboards for the Daily Express, the Swedish music catalogue that includes “Take the D Train” and Alison Limerick’s classic “Where Love Lives”, part of the Pretenders’ catalogue of songs included on their smash hit first album and a seminal U.S. Hip-Hop and Soul catalogue. Nick is also advising on a micro-brewery in Hackney and Streetsounds, the South London radio station.

He spends his time between Notting Hill and Somerset.

Contact via email in first instance
info@pedgrift.com